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Réflexion théorique sur la sémantique de l'image médiévale, reprenant le problème là où l'avaient laissé les penseurs du passé tel saint Thomas et construisant une théorie de l'imitation logiquement cohérente et empiriquement acceptable.

Middle age --- Age moyen --- 7.04 --- 091.31:7.04 --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Christian art and symbolism --- Pictures --- Art et symbolisme chrétiens --- Illustrations, images, etc --- Illustrations, images, etc. --- Sémiotique et arts. --- Semiotics and the arts --- Symbolisme chrétien --- Interprétation. --- Interpretation --- History --- Christian art and symbolism. --- Sémiotique et arts. --- Symbolisme chrétien --- Interprétation. --- Interpretation. --- Image (Philosophy) --- Image (Philosophie) --- Illustrations

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Manuscripts. Epigraphy. Paleography --- Caussin, Marc --- Illumination of books and manuscripts, Medieval --- Illumination of books and manuscripts, Flemish --- Enluminure médiévale --- Enluminure flamande --- Marmion, Simon, --- boekverluchtingen --- miniaturen --- middeleeuwen --- getijdenboek --- Filips de Stoute (Hertog van Bourgondië) --- Marmion, Simon --- De Croÿ, Philippe --- 14de eeuw --- 15de eeuw --- Henegouwen (provincie) --- 091.31:7.04 --- 091.31 <493> --- Verluchte handschriften: iconografie --- Verluchte handschriften --- 091.31:7.04 Verluchte handschriften: iconografie --- Enluminure médiévale --- Illumination of books and manuscripts [Medieval ] --- Hainaut (County) --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- boekverluchtingen. --- miniaturen. --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak). --- getijdenboek. --- Caussin, Marc. --- Filips de Stoute (Hertog van Bourgondië). --- Marmion, Simon. --- De Croÿ, Philippe. --- 14de eeuw. --- 15de eeuw. --- Henegouwen (provincie). --- Peinture --- Enluminure --- Belgique --- 15e siècle

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091.31:7.04 --- 091:5/6 --- 091 <063> --- 091 "04/14" --- Verluchte handschriften: iconografie --- Handschriftenkunde. Handschriftencatalogi-:-Exacte en toegepaste wetenschappen --- Handschriftenkunde. Handschriftencatalogi--Congressen --- Handschriftenkunde. Handschriftencatalogi--Middeleeuwen --- Conferences - Meetings --- 091 "04/14" Handschriftenkunde. Handschriftencatalogi--Middeleeuwen --- 091 <063> Handschriftenkunde. Handschriftencatalogi--Congressen --- 091:5/6 Handschriftenkunde. Handschriftencatalogi-:-Exacte en toegepaste wetenschappen --- 091.31:7.04 Verluchte handschriften: iconografie --- Scientific illustration --- Science, Medieval --- Illumination of books and manuscripts, Medieval --- History --- Manuscripts --- Scientific illustration - History - To 1500 - Congresses --- Science, Medieval - Manuscripts - Congresses --- Illumination of books and manuscripts, Medieval - Congresses

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From the 16th to the 19th century, illuminated manuscripts were collected by the great printer-publisher Christophe Plantin and his Moretus successors and descendants. Ranging in date from the 9th to the mid-16th centuries, the manuscripts in the Museum Plantin-Moretus come from all over Europe, chiefly the Southern Netherlands and France with a significant representation of 15th-century Dutch illumination. More surprisingly, about a quarter of the collection comes from England: manuscripts of the 10th to 15th centuries that left the country with Catholic refugees. Alongside the acknowledged masterpieces and rarities, like the Bohemian Bible of 1402, are volumes that have remained virtually unknown, their aesthetic appeal and historical or textual interest often passing unnoticed in the absence of published reproductions. In this beautifully produced catalogue, each of the 102 volumes is illustrated in colour, with more extensive coverage of the 55 volumes with the most rewarding illumination. For the first time it is possible to gauge the extent and nature of this fascinating and under-explored collection, still housed in the building on the Vrijdagmarkt in Antwerp to which Plantin moved his famous sign of the Golden Compasses in 1576.

Manuscripts. Epigraphy. Paleography --- Illumination of books and manuscripts, Medieval --- Manuscripts, Medieval --- Enluminure médiévale --- Manuscrits médiévaux --- Catalogs --- Catalogues --- Museum Plantin-Moretus --- Catalogs. --- Geïllustreerde handschriften. --- Mediaeval illumination of books and manuscripts --- Belgium --- Antwerp --- Catalog --- Manuscrits à peintures --- Musée Plantin-Moretus (Anvers, Belgique) --- Bibliothèque --- 091.31:7.04 --- 091.31 --- 091 <493 ANTWERPEN> --- Academic collection --- Verluchte handschriften: iconografie --- Verluchte handschriften --- Handschriftenkunde. Handschriftencatalogi--België--ANTWERPEN --- 091 <493 ANTWERPEN> Handschriftenkunde. Handschriftencatalogi--België--ANTWERPEN --- 091.31 Verluchte handschriften --- 091.31:7.04 Verluchte handschriften: iconografie --- Museum Plantin-Moretus. --- Enluminure médiévale --- Manuscrits médiévaux --- Musée Plantin-Moretus --- Illumination of books and manuscripts [European ] --- Illumination of books and manuscripts [Medieval ] --- Manuscripts --- Antwerp (Belgium) --- Catalogues. --- Bibliothèque. --- Illumination of books and manuscripts, Medieval - Catalogs --- Manuscripts, Medieval - Belgium - Antwerp - Catalogs --- Catalogue de manuscrits --- Manuscrits enluminés --- Anvers --- 730 --- boek geschiedenis --- manuscrits --- manuscript --- livre histoire --- Antwerpen musea --- schilder- en tekenkunst --- peinture et dessin

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"The present volume analyzes the functions of landscape imagery within medieval Northern European manuscript illumination, and also takes into account the ideological and the economic milieus in which they were produced. This book proposes a new methodological framework for the study of medieval landscape imagery, by analyzing the functions of landscape imagery within Northern European manuscript illumination. Taking a historicist approach, this study explores landscape imagery within a broad range of specific manuscript contexts, taking into account the ideological and the economic milieus in which they were produced."--Publisher description.

Book history --- Manuscripts. Epigraphy. Paleography --- Iconography --- anno 500-1499 --- Landscape in art --- Landscapes in art --- Landschap in de kunst --- Landschappen in de kunst --- Paysage dans l'art --- Paysages dans l'art --- Vedute --- Veduteschilders --- Vedutismo --- Illumination of books and manuscripts, Medieval --- Illumination of books and manuscripts, French. --- Illumination of books and manuscripts, Flemish. --- Landscapes in art. --- Enluminure médiévale --- Enluminure française --- Enluminure flamande --- Themes, motives. --- Thèmes, motifs --- Manuscrits à peintures médiévaux --- Manuscrits à peintures français --- Manuscrits à peintures flamands --- Paysage --- 091.31 <4> --- 091.31:7.04 --- Verluchte handschriften--Europa --- Verluchte handschriften: iconografie --- 091.31:7.04 Verluchte handschriften: iconografie --- 091.31 <4> Verluchte handschriften--Europa --- Enluminure médiévale --- Enluminure française --- Thèmes, motifs --- Illumination of books and manuscripts [Medieval ] --- Themes, motives --- Thèmes, motifs.